I have some very mixed emotions about that last sequence. The good: It was satisfying that Alicia, in a scene that echoed a key moment from the show’s very first episode, did not take Peter’s hand at the end of his press conference. She left him hanging, which was only right, given that she was about to start a new life. She held his hand walking into that room, but after that, they were done. She’d done all the Peter Florrick hand- holding, literal and figurative, she was ever going to do. About time she set off on her own. Intellectually, I suppose you can make the case that it made sense for her not to find Jason in that hallway. There was a certain logic to the idea that Alicia would exit that press conference — and her old life — on her own. And yet I very much wanted her to walk into Jason’s waiting arms. I’ll never not want that. Tonally, it might have been too mushy an ending for this show, and given that the show was about an independent woman, again, the ending we got makes sense. But “The Good Wife” can’t give me that swoon- y Alicia- Jason romance and then expect me to not want her to smooch Jason one more time. One moment from “End” gives me hope for Jason and Alicia’s future: The way he looked at Alicia longingly and lovingly, just before they walked into Cary’s classroom. Do you like The Good Wife TV show? Do you think it should have ended or been renewed for an eighth season. Episode Recap The Good Wife on TV.com. Watch The Good Wife episodes, get episode information, recaps and more. Man I thought we saw the last of him last season. Like dude go somewhere. The Good Wife is a female-driven drama about a politician's wife who pursues her own career as a defense attorney after her husband is sent to jail on charges of. Watch The Good Wife online free. The Good Wife streaming tv show, Full Episode. The fourth season of The Good Wife began airing on September 30, 2012, airing Sundays at 9:00 p.m. Executive producer Tony Scott died in August 2012, about a month. Get recaps of every new episode of Home & Family, on Hallmark Channel. That was the look of someone who is deeply in love. Somewhere, that tall drink of man is waiting for Alicia, as she asked him to, and as far as I’m concerned, at this moment, they’re in bed right now, sated in all kinds of ways and destroying a really good bottle of tequila. The point is, they’re cozy, and they’re drinking. The one thing that will never sit right with me about “The Good Wife” is the slap that Diane (Christine Baranski) administered to Alicia. She had always been contented with her life as a busy wife and mother, but suddenly she felt imprisoned by all the demands that the. Watch the good wife online, good wife online, watch the good wife online free, the good wife online, the good wife streaming, the good wife episodes, the good. This is not about whether Alicia deserved it; anyone who broke up the Diane- Kurt marriage, as Alicia probably did, deserved some kind of retribution. Physical violence is never the answer, unless you’re Diane in that moment, and even the most committed Buddhists would have a hard time saying they didn’t get it. But there are a couple of deeper problems here. One is a matter of sloppy storytelling. Are we to understand that Kurt was having an affair with Holly (Megan Hilty’s character), during his marriage to Diane? I wasn’t clear on that point, at all. And if Kurt was sleeping with Holly during those years, well, that plot point is a bit of a deus ex machina, isn’t it? How did anyone know about that affair? When did Alicia or Lucca find out? The courtroom revelation was part of a larger point the show was making, of course — the point being that Alicia would do anything and hurt anyone in order to win her case. That Alicia would be cold and calcluating is not in itself a problem: That idea is thematically of a piece with the show I’ve watched for seven years. I don’t have a problem with “The Good Wife” reinforcing that idea. I do have a problem with the show reinforcing that idea via a very contrived, late- in- the- game sub- plot, I do have problems with ultra- convenient revelations, and I really have a problem with that whole mess determining that Diane and Alicia went out as enemies. Why was that necessary? At its best, “The Good Wife” has quietly but furiously depicted the kinds of limitations women bump up against, despite their competence, and the frustrations they feel as a result. Why undo the idea that ambitious women can get along together, and even be friends and allies, despite differences in their agendas, with a slap straight out of “Melrose Place”? I understand that the slap is a callback to Alicia’s slap of Peter all those years ago, but that doesn’t make this slap carry any less sting. These are different situations, and these women slapping each other has a different context. It bothered me, and it gave the finale a sour flavor, frankly. To have the final scene of the show depict one accomplished, complicated woman striking another accomplished, complicated woman is tiresome at best and reductive and regressive at worst. A catfight, really, at this late date? A scene of two women fighting over a man has to be some kind of reverse- Bechdel Test fail, and I’m not going to pretend to like it, just as I didn’t like the contrivance of the abrupt and silly subplot involving Holly earlier this season. In any event, there was a strange, dream- like quality to that final scene. Who hasn’t dreamed of running down a hallway filled with an urgent need to find someone, only to discover that person wasn’t there? I almost wondered if the hallway sequence was all in Alicia’s head, but it clearly wasn’t. The final slap broke the dream trance and made the eternally resilient Alicia cry, but it didn’t break her. Nothing can break her now. Whether that’s a good thing or a bad thing is entirely up to the viewer, but I think that idea — that she is a survivor — makes sense as the thought the show wanted to go out on, though, again, I have objections to how some of the last moments played out. Though I didn’t love how the choice was depicted, I can’t necessarily fault the idea that Alicia made a definite choice regarding Peter’s case. It was a tough call, but she had to pick between her work family and her actual family, and she chose the latter. The most successful parts of the finale were the ones in which she meditated on what it had all been for (hi, Will!). Ultimately, Alicia decided that her family needed some closure so that they could truly move on and work as a unit, even a fractured unit. With Peter doing a year of probation, Grace could go to college, her other kid could do . Finally, she could start her new life (with Jason, one hopes). Alicia has probably lost her job at her former firm; I can’t see her and Diane working together after this. But she has a new job — running for office. This is only hinted at in the last hour, but I’ve long thought that the biggest missed opportunity of “The Good Wife” was not showing Alicia actually serving in elected office. There were long stretches in which I got bored with Peter’s various campaigns and Alicia’s own campaign had some dull spots, but I always wanted to see how she’d actually do if she was the State’s Attorney. Let’s face it, Alicia, especially as depicted in the last few seasons, had all the qualities an effective politician needs: She doesn’t much care whether people like her, but she can put up a palatable front so that they vote for her. She’s tough and not much gets to her, and she doesn’t let her vulnerabilities show unless they work to her advantage. She’s a master of controlling her image and she actually has the tenacity to get things done. It probably would have been a pretty great season of TV if the drama had spent some time showing Alicia making the tough decisions of an elected politician. Perhaps the reunion movie will cover that? The reunion movie I hope the Kings and the cast make in a few years, that is. A lot of what transpired before that final scene was good, solid “Good Wife” trial- based storytelling. There were reversals and surprises and ups and downs; there was a jovially eccentric judge and this show’s version of stunt casting (real- life superstar lawyer David Boies). But it was really about Alicia figuring out what she wanted, once and for all. It was hard not to agree, because, oy vey, the amount of hoops people have had to jump through for that one entitled man. But the Kings, who wrote the episode, did a good job of walking Alicia through her life options, bringing her back into contact with characters like Cary, and getting her in a room with Will once again. Grief is a weird thing; it ebbs and flows and resists logic. That’s why it made sense that as momentous decisions occupied Alicia’s days, her nights and private moments would be overtaken by thoughts of Will, the one who got away, the one who died before she could truly make up her mind to be with him. Those scenes were beautifully acted by Josh Charles and Margulies, and it was lovely to have her say a proper, resonant goodbye to Will before heading into an unknown and ambiguous future. As for the goodbyes to Peter, those scenes were less momentous and, all things considered, less interesting. In the “Sliding Doors” scenario scored by the great Regina Spektor song “Better,” there was no tension in the Peter scenario, given that those two settled into an unspectacular and pragmatic friendship long ago. I often thought the show should have kicked Peter to the curb years ago, but it made some sense in the finale to have him wrestle with something many others (including this viewer) have known for a while: Alicia has long been a better candidate for public office than her husband. In any event, my mixed emotions about the finale sound about right. In the whole home stretch of “The Good Wife,” I have been beset by a wide range of thoughts about its impending exit. I knew I’d miss its intelligence and its wit and the fact that it was about complex people who l openly enjoyed being good at their jobs (an aspect of life that too few shows dwell on). I’d miss its willingness to be adventurous and subversive and the fact that it could introduce judges and supporting character that were often fantastically memorable after less than five minutes of screen time. I’d miss the winningly no- nonsense Lucca (ace late addition Cush Jumbo) and the sexy vibe between Alicia and Jason. Not that the chemistry between Morgan and star Margulies wasn’t electric, but it’s hard not to arrive at the conclusion that Morgan’s scruffy beard alone would be capable of creating incendiary sparks with an inanimate object. Despite the fact that “The Good Wife” long reigned as the best broadcast network drama on TV, in recent seasons, it was obvious that it was time for the show to go. Another season — especially if creators Robert and Michelle King weren’t steering the ship — would have likely been mostly an embarrassing and floundering spectacle. The Good Wife - Wikipedia. The Good Wife is an American legal and political drama television series that aired on CBS from September 2. May 8, 2. 01. 6. The series, created by Robert and Michelle King, stars Julianna Margulies, Josh Charles, Christine Baranski, Matt Czuchry, Archie Panjabi, and Alan Cumming, and features Chris Noth in a recurring role. The executive producers are Ridley Scott, Charles Mc. Dougall, and David W. The serial plots have been especially showcased in its highly praised fifth season. This is a rarity among The Good Wife's broadcaster CBS, as most of its shows are procedural. The performances of the show's cast have been particularly recognized, with Julianna Margulies's role as Alicia Florrick receiving significant praise. With the current climate of how television shows are written and produced, The Good Wife is considered by several critics to be network television's last great drama. CBS announced in a promo aired during Super Bowl 5. February 7, 2. 01. The final episode aired on May 8, 2. After having spent the previous thirteen years as a stay- at- home mother, Alicia returns to the workforce as a litigator to provide for her two children. The image of a wife standing silently beside her husband as he publicly admitted to his sexual or political misconduct has, according to Robert King, become a sort of clich. They were further intrigued by the fact that many of the wives were lawyers, who had halted their personal careers for the sake of their husbands' professional ambitions. There had been this waterfall of these kinds of scandals, from Bill and Hillary . I think they are all over our culture. And there was always this image of the husband up there apologizing and the wife standing next to him. I think the show began when we asked, . You know, what's interesting about a lot of these political scandals is that the women are lawyers, too. Elizabeth Edwards is a lawyer. I think that got us thinking along those lines. That is, we knew she had to go back to work, and we had so many female lawyers to draw on. Scott Free productions helped to finance The Good Wife and Ridley Scott, Tony Scott (until his death) and David W. Zucker are credited as executive producers. All seven executive producers returned when a full series was ordered and they were joined by executive producer Brooke Kennedy. Angela Amato Velez joined the crew as a consulting producer and writer bringing legal experience from her careers as a police officer and legal aid attorney and writing experience from the police dramas Third Watch and Southland. Todd Ellis Kessler, who had recently completed production on The Unit, and had previously worked on legal drama The Practice, joined the staff as a co- executive producer and writer. Corinne Brinkerhoff completed the production team as a writer and co- producer. Brinkerhoff had previously worked as a writer and story editor on Boston Legal. Zucker is an executive producer on the show, having been nominated for four Primetime Emmys and one PGA Award. His credits included Judging Amy, The Pillars of the Earth, and Law Dogs. Having spent so many years as . Alicia is smart, independent, fiercely protective of her children, and much more than just a good wife. She excels at keeping a cool exterior. She is rarely ruffled and almost always thinks through what she is going to say, choosing her words for maximum impact or sting. Alicia graduated top of her class from Georgetown University Law Center in the mid- 1. After graduation she worked at Crozier, Abrams & Abbott for about two years but left to focus on her kids and Peter's career. She and her gay younger brother, Owen, have a loving relationship despite having personalities that are polar opposites. In Season 3, Alicia is a third- year associate at the firm. She and Peter are separated, and she has an affair with Will; but, by mid- season, she breaks it off. Alicia struggles with her feelings for Peter. She is deeply hurt and has not entirely forgiven him, but she still loves him. Toward the end of Season 3, Peter announces his candidacy for governor of Illinois; Alicia stands at his side as he makes the announcement. In Season 4, Alicia gets and takes a promotion as an equity partner of the firm and begins planning to start a new firm with Cary. After Will dies in Season 5, Alicia goes into a period of mourning, and separates from Peter, maintaining their marriage for the sake of their careers. In Season 6, Alicia runs for State's Attorney and develops a friendship with prosecutor Finn Polmar. Soon after winning the election, Alicia is caught up in an electoral fraud scandal, and though innocent, must resign her post. Broken and humiliated once again, she returns to law, working initially as a bond court lawyer before starting a small private practice in her apartment. Kalinda Sharma (Archie Panjabi), the firm's in- house private investigator: Kalinda previously worked for Peter for three years. He fired her after accusing her of working two jobs. Kalinda is unflappable, inscrutable, fiercely private, and occasionally physically violent. She is exceptionally good at her job, although her tactics are not always strictly legal. She is often the key to the firm's winning a case, usually at the eleventh hour. She generally does not work well with others. Although Kalinda doesn't let many people close to her, she becomes good friends with Alicia, with the aid of tequila shots; and she feels protective of her. After becoming friends, Alicia finds out Kalinda had a one- night stand with Peter before she knew Alicia, damaging their friendship; but over time, the two start to reconcile. Kalinda has a cynical, misanthropic outlook on human behavior. She is openly bisexual and has a series of relationships through the show, mostly with women and often because they can help her with a case. Kalinda once claimed that she prefers women because to her, women are better lovers than men for women understand her needs and feelings better. Very little is known about Kalinda when the series begins, and she is incredibly secretive about her past. The character's signature wardrobe piece has become a pair of knee- high boots. Kalinda also grows romantically close with Cary. In Season 6, she desperately tries to save Cary from a malicious prosecution on drug- related charges while Alicia is busy running for office, and at a point of desperation, fakes a Brady violation through computer hacking to have Cary's charges dropped. Later, when her deception is caught, she is forced to surrender drug dealer Lemond Bishop to the State's Attorney's office in order to spare Diane from prosecution; Diane had unknowingly used the fake evidence in court. In order not to be found by Bishop for turning him over to the state's attorney office, Kalinda disappears for her own safety. Will Gardner (Josh Charles), a name senior partner at Stern, Lockhart & Gardner: An old friend of Alicia's, in the pilot he helped her get a job with the firm and is constantly trying to avoid appearing as if he favors her. This is complicated by the fact that the two have feelings for each other. Will and Alicia have an affair beginning at the end of season two. In season three they break up when Alicia's daughter goes missing, and Alicia decides she needs to focus more on her children. He is seen as very much of a ladies' man throughout the series and had various love affairs and girlfriends. Will generally had a good working relationship with Diane Lockhart, his co- managing partner at the firm, and the two demonstrate a shrewd ability to guide their business, even through difficult times. Will plays in a regular pick- up basketball game with other attorneys and judges, and has friendships with the players that are eventually scrutinized. During season three, Will is suspended from practicing law for six months as punishment stemming from an old bribery scandal but returns to the firm in season four. In season five after much planning, Alicia and Cary leave Lockhart & Gardner to start their own firm; Will takes this betrayal personally. In Episode 1. 5 of the fifth season, he is shot and killed in the courtroom by his client Jeffrey Grant (played by Hunter Parrish). Diane Lockhart (Christine Baranski), a name senior partner at the firm: She is liberal and is a champion of women's causes, thus having strong opinions on many issues, including an extreme dislike of guns and violence, although in one plot line she had a romantic relationship with a conservative ballistics expert. She speaks fluent French and seems to have an active social life. Among her paramours is Kurt Mc. Veigh, a firearms expert and conservative Republican, whom Diane is drawn to despite their political opposites and her dislike of guns, and they eventually marry. Although she is initially sceptical of Alicia Florrick's abilities as a lawyer when she joins the firm, Diane becomes a sort of mentor to her. But she is a mentor at a distance, and her support often comes by way of cryptic advice that only points Alicia in the right direction. She does not hesitate to tell anyone when she thinks they are wrong. Diane is often torn between supporting Alicia and Cary Agos when the two are in competition. Cary Agos (Matt Czuchry), a young Harvard- educated lawyer: In the first season, he is a first year associate at Lockhart Gardner with Alicia Florrick. In the first episode, it is established that there is only one permanent position, putting Cary into competition with Alicia. At the end of First Season, the firm selects Alicia, and Cary goes to work for the state attorney's office. In season three, Cary is appointed Cook County Deputy State's Attorney, though he subsequently demotes himself for having an in- office affair. Dissatisfied with the demotion, he accepts an offer to return to Lockhart Gardner. He is often placed in rivalry with Alicia and sometimes resents her for this and her political connections thanks to her husband, Peter Florrick, the disgraced State's Attorney.
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